May 4th 2023

Book Review: Images of the Present Time (2023) by Alain Badiou

by Sam Ben-Meir


Sam Ben-Meir is an assistant adjunct professor of philosophy at City University of New York, College of Technology.


Alain Badiou is undoubtedly among the greatest of living philosophers; one that may fairly be credited with rescuing philosophy from academic irrelevance, and the twin enemies of scientism and historicism. For Badiou, philosophy does not merely interpret the world (as Marx famously asserted in his “Theses on Feuerbach”). For an interpretation of the world, we would do better to look to myths, religions, and the various wisdom schools. Philosophy, presupposing mathematics, is a fundamentally rational and conceptual rather than hermeneutic undertaking, aimed at answering the question: does there exist anything with a universal value, and if so, how is this possible?  Badiou secured his place in the philosophical pantheon with three massive tomes, which together provide a rigorous account of Truths, or the production in time and space of things to which we may ascribe universal value: Being and Event (1988), Logics of Worlds (2006), and The Immanence of Truths (2018).

Images of the Present Time (Columbia University Press, 2023) contains a series of three seminars delivered between 2001 and 2004. The first section presents a sustained philosophical analysis of contemporary nihilism and is initially taken up with the question of identifying the ‘emblem,’ that is, the master signifier of the present time – and Badiou’s claim is that democracy is that emblem, a political system that “does not prohibit or restrain, or not excessively.” This raises the question of how democracy is correlated with freedom: given that fewer and fewer things are prohibited, what does that say for freedom under this regime? Ultimately, not so much: as Descartes already knew, indiscriminate freedom, or the freedom to do whatever you want, is at best ‘the lowest degree of freedom.’ “Thinking you’re a free Subject just because whatever you want to do or say is not prohibited is sheer nonsense.” It is true, for example, that almost nothing is prohibited in public speech, yet that does not mean that something significant has been “publicly pronounced… if nothing is prohibited and yet nothing, properly speaking, has been said, freedom does not exist.”

Badiou’s central thesis is that, at the present time, there is no world – in fact, there is no present, strictly speaking. Why isn’t the democratic world a world? In brief, because it is a world “in which everything is assumed to be equivalent to everything else.” Endorsing Plato’s notion that such a condition “precludes the configuration of a world,” Badiou argues that the critique of a world where everything is assumed to be equivalent to everything else, can be easily transposed to modern democracy in terms of the monetary principle of exchange, the rule of exchange-value over use-value in capital. Modern democracy creates a “potential zone of equivalence of everything with everything else through its monetary presentation.”

Perhaps not since Socrates has a philosopher been so genuinely concerned with youth, with the young, as Badiou. This is perhaps not so surprising when we consider that Badiou puts himself squarely in the Socratic tradition by affirming that the task of the philosopher is precisely to “corrupt the youth” (one of the main charges brought against Socrates) – which means to show them that another life is possible, what he calls ‘the true life,’ which, as “something worth living for, far outstrips money, pleasure and power.” What youth under capitalism forgets is that “the substitutability of pleasures is only one particular form of freedom and by no means the definition of freedom as such.” True freedom means to live by an Idea, one that invariably includes the idea of a future, and that in turn will involve subjection or discipline, without which there can be no meaningful or genuinely creative project.

Under capitalism we must constantly be available to the encounter with commodities. Badiou refers to this as validation, “to be the eternal equivalent of a consumer, the customer body…” This is distinguished from but closely related to valuation, which is formally biologizing and translates into the requirement that we keep fit and have the requisite body. “Through validation and valuation, the democratic individual becomes identical to their body,” which is now a commodified body. Hence, Badiou’s insistence on the ‘democratization of prostitution.’ The prostitutional, that is, “the reduction of every norm to the commercial potentialities of bodies,” has become paradigmatic. It is worth noting that this is perfectly compatible with the suppression of prostitution as such. What Badiou is underscoring with the notion of the prostitutional is “the equating of everything with a space reduced to the exchange of bodies and money.”

It requires violence and ferocious power to reduce the person to a commodified body – but this is not a violence against bodies so much as “violence against the body’s capacity for ideas.” The imperative today is “Live without any ideas.” This injunction is propped up with familiar arguments, which generally turn on the good of animalistic contentment: the horrors of the twentieth century showed us what living with Ideas leads to, namely, violence against bodies, so, “Live by life; don’t live by Ideas! Live to live, or, in other words, to survive.” It is a mindset that “plunges us into a sort of commercial animality” – which is to say that capitalism is the animalization of the human beast, who no longer lives except in terms of its interests, and what it deems to be its due. The body without Ideas is a body that is prepared to submit “obediently to the encounter with commodities.”

The reigning ideology is, live without any purpose, without any universality because the alternative is totalitarianism. In other words, totalitarianism has become a kind of bogeyman used to legitimate the contemporary hegemonic system in which a “terrible unity” prevails, “supported by effective built-in material mechanisms.” We have not managed to banish disorder, but ours is a system which has indeed achieved the “absolute capacity to keep otherness out.” Nowhere is this more evident than in the incontestability of democracy, that is, in the untouchability of the democratic emblem. Fidelity to the democratic emblem comes at the cost of a constraint that involves the subject’s having to confront “the commercialized world as a consuming subjectivity.”

In the second series of lectures, entitled “The Logic of Exceptions,” Badiou examines what constitutes an exception to the emblem or the naked power that the emblem sustains. What would count as an exception to the imperative of commodity circulation? Badiou identifies four types of noncirculation, that is, four types of declaration that are heterogenous to commodity circulation. These are demonstration, the paradigm of which is a mathematical theorem; contemplation, which arises in relation to the work of art; action, or emancipatory politics; and passion, that is, love, the one that becomes two.

For Badiou, one of the great tasks of philosophy is to safeguard the various forms of truth (mathematical-scientific, artistic, political and amorous) from subservience of any kind, but especially to the imperative of circulation (commodification). Philosophy safeguards science by defending the radical independence of science from technology and the dominance of capital. Hence, Badiou’s privileging of mathematics, which by its very nature “works against the idea of usefulness.” For its part, art is fundamentally an instrument of combat against the imperative of democratic materialism that we live without any ideas. Affirmative art gives us a fictionalization, a semblance, or illusion of life under the Idea; and even the most pessimistic and painful art, still operates a fictional world that gives us an image what a world without pain or alienation might be like. Art is the “radiance of joy,” whatever its subject; and philosophy is the guardian of this vocation of art, against an overly critical view of art’s function. In fact, as Badiou observes, criticism has worn itself out: it is not criticism we need now as much as ‘heterogenous affirmation,’ an affirmation heterogenous to the market.

In the final series (interrupted after four sessions), Badiou takes up the age-old, or rather ‘time-worn’ philosophical question of “what it means to live.” Much of the material here is developed in Logics of Worlds, beginning with his critical appraisal of the ordinary metaphysics of our era, meaning the metaphysics that everyone shares, almost spontaneously as it were. It is the metaphysics that all of us will at times catch ourselves holding if we bother to examine what we think about what there is. Badiou refers to this ordinary metaphysics as democratic materialism, and its essential thesis is that there are only bodies and languages. So, it really is a metaphysics because it is a claim about what is real: namely, bodies seized to varying degrees by languages – which, of course, is not to be understood as limited to natural languages but includes all ‘language-games.’ to use Wittgenstein’s term, and all possible semiotics.

Democratic materialism is defined by three characteristics: First, it is a metaphysics without categories (unlike metaphysical systems from Aristotle to Hegel). To say there are only bodies and languages is to say that “there are no categories of logical universalism transversal to bodies or to languages.” There are no transversal categories by which the dissemination of languages across cultures can be understood – simply put, there are no universals that can be applied across cultures. The idea is that it is democratic not to have categories, because in the end they are totalitarian: a category “purports to subsume all the different bodies and languages.”

Second, democratic materialism is a metaphysics cleansed of truth. It is not simply that Truth is the name of a category and so must needs be banished or allowed to ‘fade away.’ That there is no truth, strictly speaking, means that “there is basically a relativism. You can move around the many different bodies and languages, but you can’t extract anything like a truth from them.” In the place of truth, we get relevancies, where a relevancy is a “certain type of temporary seizing of bodies by languages.” Yet a truth is nothing like a relevancy: truths cannot be dependent on the variations of language, the vicissitudes of perception or historical traits. What is true here is true everywhere, and what is postulated for one and all is cannot be grasped by the logic of cultural differences or relevancies.

The third negative feature of the reigning metaphysics is that there is no eternity, there is only time. The denial of eternity is ultimately a denial of the separability of the forms, as Plato understood: “If you want eternity, there has to be a minimum separability of the forms.” For democratic materialism there is only the relevancy of the forms; there are no ‘eternal truths.’ What does Badiou mean by an eternal truth? In fact, there is no shortage of examples. That there is an infinite number of prime numbers is an eternal truth: it did not descend from a heaven, Platonic or otherwise. All truths are immanent, they appear in time. In this case, it appeared when Greek mathematicians proved it. When that occurred, “something like a separability of the forms was created” – eternity means, in other words, that the truth is irreducible to language, or the specific historical context in which it emerged, separable from the relevancy in which it was constituted. For Badiou, it is correct to say that we are ‘Immortals’ – but this is not to propose an afterlife of the soul, or anything of that nature. It means that there are truths, or creations of universal value and insofar as we can participate in universality we are tapping into eternity.

Since Plato, the mark of a great philosopher has been that they aim to rescue the concept of truth, while understanding that it is necessary, with each rescue attempt, to modify the concept. For Badiou, truth is not to be understood as correspondence between a proposition and a state of affairs. Truths are immanent exceptions: they arise at a given time and place but are irreducible to their historical context. They represent the emergence of something new and unforeseen – something which from the standpoint of the given world was indeed unforeseeable. What makes Badiou such an important philosopher, an essential thinker of our time, is that he refuses to forfeit the great calling of philosophy, which is to safeguard truth, to safeguard that which makes us Immortal – which is to say, that philosophy bears witness to a new dawn that remains ever on the horizon.




Sam Ben-Meir is an assistant adjunct professor of philosophy at City University of New York, College of Technology.
 

Browse articles by author

More Literary Essays

Sep 3rd 2023
EXTRACTS: "Harvard historian Calder Walton confronts this challenge head on in a new book, Spies: The Epic Intelligence War Between East and West, which recounts the rise and role of modern intelligence capabilities through the history of the West’s competition with the Russian security services. It is an ambitious and entertaining story, but one that is also firmly grounded in academic research." ---- "But Walton does more than add previously secret details to old accounts. In an example of “applied history,” he uses his examination of the past to weigh in on current events,..." ---- "Thanks to President Vladimir Putin – a former KGB man himself – KGB alumni dominate the Russian elite, including its corrupt economic oligarchy, and lead the powerful coercive institutions that are transforming Russia into an authoritarian security state. Whatever their labels, Russia’s security services have formed the backbone of its ruling regimes in the twentieth and twenty-first centuries."
Aug 19th 2023
EXTRACTS: "A short novel of rare beauty, Tove Jansson’s The Summer Book (1972) tells the story of Sophia, a six-year-old girl spending the summer with her grandmother on a remote island in the Gulf of Finland." ---- "Life on the island is a reminder of a simpler life that wasn’t simple at all. It is not described as an idyllic retreat from urban life – there is no electricity, the weather is temperamental, the sea can be deadly – and yet The Summer Book will leave you yearning for the chance to live a slower-paced, more deliberate, self-reliant life. The coexistence of humanity and nature is one of the recurring themes in Jansson’s art, and on her island the two are in harmony."
May 4th 2023
EXTYRACTS: "Alain Badiou is undoubtedly among the greatest of living philosophers; one that may fairly be credited with rescuing philosophy from academic irrelevance,..." --- "Images of the Present Time (Columbia University Press, 2023) contains a series of three seminars delivered between 2001 and 2004. "
Jun 10th 2021
Fiction - but based in history.
May 23rd 2021
Fiction - Introduction by the Author: "The mind of a fly, such as it is, is a primitive thing – archaic and amoral, devoid of pity, remorse, forgiveness… and love. And yet. And yet we know within every species there is a great deal of variation: every species is, after all, an ingenious structure formed by Nature. Goethe – who we sometimes forget was as great a scientist as he was a poet – yes, the divine Goethe grasped two simple but essential truths. First, that species are real in themselves; not some mere classificatory device created by us. (I might add – inasmuch as it relates to the story that I am shortly to tell – that confidence in the reality of species as such was for the better part of the last century based entirely on the incontrovertible fact of reproductive isolation). Every species may indeed be viewed as a manifestation of planfulness. Yet we also know, and this is the second principle, by no means are species totally homogenous. There is always intraspecific variety, as they say – a flexibility in behavior and phenomena. The crucial point is that this diversity if you will – functional or otherwise – is the very raison d’être of the species. Is it any wonder then that Nature loves her eccentrics: every species has its individuals that wander along new roads – the honeybee, say, who returns carrying news within in his unique dance of hitherto unknown gardens and flowers, or a new tree in which to rear the hive. Insect behavior can be quite plastic."
Mar 18th 2020
EXTRACT: "In my essay Elie Wiesel’s Early Work I promised a return to the novels by Albert Camus (1913-1960), 1957 Nobel Laureate in Literature. Then the world as we know it changed with the onset of COVID-19 and the relevance of Camus’ novel The Plague, published in 1947, struck hard."
Jan 18th 2020
EXTRACT: "The harmful impact of air pollution caused by diesel exhaust fumes on our health is well known. It’s responsible for causing everything from respiratory problems to dementia and even certain types of cancers. But what most people don’t realise is that exhaust fumes aren’t the only cause of air pollution. In fact, up to 55% of roadside traffic pollution is made of non-exhaust particles, with around 20% of that pollution coming from brake dust. And as our latest research reveals, these particles may be just as damaging to our lungs as exhaust fumes."
Oct 26th 2019
EXTRACT: "We didn’t have emails or social media back then, so I’d usually call once a year and check in. Though I was careful not to ask, my ex-wife would graciously give me updates on “The Baby.” She told him about me early on and he just shrugged and said, “Okay.” The title of ‘father’ belongs to the man who raised him. She did once tell me there are times when she’s washing dishes or preoccupied, and he’ll come up behind her saying something, and she’ll turn around expecting to see me. "
Sep 10th 2019
Extract: "Khodasevich’s prose is as crystalline as his poetry, and this rendition by veteran translator and academic Sarah Vitali reads with such punch and verve that some of the personality sketches might have been written today for a mainstream magazine. Her endnotes add background and fascinating detail that put the forgotten era in context. "
Jul 17th 2019
Blurring the line between fiction and real life is one of the intrigues of good writing. Much of Saul Bellow’s wild antics in “Humboldt’s Gift” actually happened to him, but how much? Did Philip Roth’s “Portnoy’s Complaint” originate in his personal life?  Intriguing, perhaps, but none of this really matters if the story is credible and the writing holds up. Any reader with an analytical bent will wonder, however, where the truth is located in a good story. I certainly did, reading Mary L. Tabor’s new collection of twelve short stories, "The Woman Who Never Cooked."
May 31st 2018
Postcolonial scholarship has overwhelmingly focused on the legacy of Western empires – but despite a long history of foreign expansionism and domination, Russia, in its various incarnations, has never received the same amount of critical scrutiny. The Tsarist empire’s position outside the West proper, the Soviet Union’s stated opposition to imperialism, and the fact that Russia’s empire was a contiguous land empire rather than an overseas one all helped shield it from postcolonial critique. The result is a strange oversight – especially considering the fact that the heir to the largest continental empire in modern history clearly remains uncomfortable with the independence of many of its former subordinates.
May 24th 2018

At the age of 50, Henry James created a detailed portrait of an experimental novelist in old age, in his story “The Middle Years.” Terminally ill, the novelist Dencombe receives in the mail the published version of what he realizes will be his final work, a novel titled The Middle Years.

Apr 25th 2018
Ever since I first began listening to popular music on a transistor radio, I have been fascinated by one-hit wonders. Today, oldies stations can devote entire weekends to singers and groups who had one hit and were never heard from again, including such classics as the Penguins’ “Earth Angel,” the Teddy Bears’ “To Know Him Is to Love Him,” and the Murmaids’ “Popsicles and Icicles.” When I began studying creativity, I discovered that one-hit wonders were not unique to pop. Grant Wood’s American Gothic and Maya Lin’s Vietnam Veterans Memorial are celebrated instances in which the name of an artist instantly calls to mind a single work, and vice versa....
Apr 3rd 2018

Serious readers like to see a review or two about big, complicated novels before deciding whether to devote their life to them.  The thousand-page Russian classics all seem to carry this warning flag. 

Sep 23rd 2017

PRINCETON – This summer, at literary festivals and bookstores around the world, readers celebrated the 20-year anniversary of the debut of the first book in J.K.

Feb 1st 2017

Rarely does a musician with a Juilliard background and a Ph.D. in piano performance find the energy, much less the time, to conceive, plot, write and publish a series of well-constructed novels.

Jan 24th 2017

The Wall Street Journal has made an egregious error. I'm not talking about their coverage of Donald Trump, Russian hacking, or any other such ephemera. This concerns something much more serious: classic literature.

Jan 7th 2017

A Talmudic question has much intrigued me: Two men are stranded in the desert. Only one has water. If he shares it, they both die; if he keeps it, he lives and his companion dies. What should he do? Rabbi Akiva taught that the man has the right to drink it.

Oct 14th 2016

To the surprise of many, Bob Dylan has become the first singer-songwriter to win the Nobel prize in literature.